(Image credit: Serif)Īffinity Designer is a capable and reliable piece of software. Affinity Designer 1.10 review: usability and what’s missingĭesigner’s tools will feel familiar to those with vector experience. Not only does this help with your workflow, but with the raster brushes in situ, it also allows you to add that much maligned texture or 'noise' otherwise missing from vector art. While in Affinity Designer, you can switch from the Designer persona (vector) to the Pixel persona (raster/bitmap) without changing apps. The ability to manipulate pressure sensitivity and gestural mark-making give you more control in variance and tone.Īlthough not a new feature, the ability to switch ‘personas’ in Affinity Designer only adds to the smoothness of the app, if not the whole suite’s, usability. Of course this all becomes a lot more fun and expressive with the use of a stylus and a drawing tablet, even more so with one of the best iPads for drawing and an Apple Pencil (see our Apple Pencil deals post if you need to invest in one). The ability to tweak, edit and reassign different brushes to strokes gives you more than enough wiggle room, so-to-speak. Now you can drag the rectangle layer around the image, and the Smart Object will be revealed wherever you drag it.Raster brushes can be used in situ, without leaving the app (Image credit: Serif)Īffinity Designer is certainly not as expressive a program as Corel Painter, but its vector brushes are not to be sniffed at.You could also add a drop shadow layer effect to the rectangle. Select the Smart Object layer and click Layer > Create Clipping mask. Close and save the Smart Object.īelow the Smart Object layer, create a shape using the Rectangle Tool, or any of the shape tools, filled solid - the colour of fill doesn't matter. While still in the Smart Object, add a new layer above, fill it white, and reduce the layer opacity to something like 20%. Apply a guassian blur using Filter > Blur > Gaussian Blur In the layers panel, double click the Smart Object to enter it. I found this image of the effect.Īnyhoo, here's how I would recreate such an effect in Photoshop:ĭuplicate the layer, and turn it into a Smart Object using Filter > Convert for Smart Filters I'll leave this answer in any case, since it might be useful to someone.Īs far as I have been able to ascertain, you seem to be talking about a gaussian blur with a semi-transparent overlay of solid colour. Here's the linkĪs separate screenshot the result is the following:Įdit: I answered this for Photoshop before realising that the OP had asked for Affinity Designer. Hopefully the workflow is understandable. It also has a limited color palette, so the result is inferior for teaching image editing. Unfortunately my screen recording system makes too large files to upload here. To get the same result the highlights in the right original should be flattened by the curves tool in a photo editor.ĪDDENDUM: The questioner wanted a video. I have used the right original (by Microsoft) in the addendum. crop the layer to wanted size or make a pixel selection of the wanted area and copy&paste it as a new layerĮDIT: this is based on quessed original.rasterize the layer, do not copy the layer effects (=apply the effects destructively, not any more editable).In the following example the color overlay is white and its opacity is 13% With low opacity it gives to your acrylic plate some plausibility. make a copy of your image, all layers in the copy merged to the top layer.You wouldn't get full blur at the edges of the wanted area. Unfortunately in vector domain the cropping also reduces the area where the blur is calculated. It's to make heavily gaussian blurred copy of your image and crop it. The basic idea is already told in comments and other answers. In Affinity Designer one must often jump from vector domain to pixels.
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